1.3 Spring 2017
. . . the significance I’m interested in describing here is more aesthetic than sociological. In what follows, I propose a new framework for interpreting zombie culture, one that considers the zombie tale not just as political allegory, but as artistic statement.
. . . it is the development of one’s Irish identity as the product of such centers, a need to understand how that identity translates into one’s own individual life and relationship with the outside world, that is most remarkable.